In Rome, Gabriela Sirtoli from Brazil noted her disappointment with the city, which she expected to see depicted as in the series “Emily in Paris.” Traveling with family, they were drawn to Rome after the show’s latest season featured iconic landmarks like the Colosseum. However, their reality involved dense crowds and long waits, contrasting sharply with the show’s idealized portrayal.
The latest season of “Emily in Paris” showcased a transition to Rome, omitting the bustling atmosphere typically prevalent in the city. The show’s creator confirmed that the storyline would split between Paris and Rome, following a successful venture that included brief glimpses of the Italian capital in the previous season. Tourists expect a romanticized, tranquil Rome, yet the reality has proven to be quite different for visitors like Sirtoli.
Locals in Rome welcomed the show’s portrayal, recognizing its potential to draw more tourists. Antonella Catalano, a local designer, felt that despite potential overcrowding, featuring Rome in the series could be beneficial. However, she acknowledged the unrealistic representation, believing that films often distort the city’s true character much to her surprise.
At the same time, some residents criticized the romanticized view of Rome presented in the series. Christiana Cavallo, a hairdresser, reflected on the disconnection between the show’s depiction and the real-life experience of navigating Rome’s tourist-packed streets. Despite this, she expressed enthusiasm for the exposure the city is receiving through the show.
“Emily in Paris,” long critiqued for its sanitized portrayal of Paris, faces further scrutiny as it expands its narrative to Rome. The recent dialogue between the mayors of Paris and Rome underscores the program’s cultural significance, with both cities vying for the attention and economic benefits that come from such portrayals.
There are concerns about whether Rome can accommodate an influx of tourists, especially with future events like the 2025 jubilee predicted to attract millions. Some tourists like Angelika Molina expressed skepticism over increased visitor numbers, hinting at a saturation point that could overwhelm the city’s resources.
The show’s portrayal has also led to mixed feelings among travelers. While some like Anastasia from London caution against clichéd representations, others such as Amalia Rosa view it as a charming depiction of an enviable Rome. The series could serve as an aspirational lens, presenting an idealized image of the city that resonates with many viewers, regardless of its authenticity.
The article highlights conflicting views regarding the representation of Rome in “Emily in Paris.” While some tourists appreciate the charm and visibility brought by the show, others criticize its unrealistic portrayal compared to the crowded reality of the city. The discussion reflects broader concerns about tourism and cultural representation as Rome prepares for significant future events.
